EMANUEL TOVAR
Emanuel Tovar (b. 1974) was born in Guadalajara, Mexico, where he currently lives and works. Tovar’s practice departs from the conflicts and vulnerabilities of the human condition. He is interested in matter and sculpture as a reflection of the social context, and as a media for the construction of dialogues. Tovar´s geometric deconstructions, which seem to be mere formal exercises, function as metaphors for the disintegration of structural lines that fracture and transform. Fragility is a constant in his creative search while questioning social schemes and those of art itself. Using forgotten materials and elements, recycled, reused and recuperated from a social context in which consumerism is prevalent and social classes are increasingly more pronounced, he creates systems through a chaotic precarious process. Similar to the practices that occur in conflictive contexts (where construction is made with the most elemental and close at hand materials), generating tensions to make the viewer aware of that which prevails in the near perimeter; to recuperate the “other” histories that grow like parasites fed by the waste of society. Tovar thinks of the periphery as a retaining belt of capitalist societies, where he finds abstract realities in a fleeting context of fragile economy, of perishable architectures removed from the established order. To discuss precariousness, to reflect on the power of action, human labor, and work, establishing settings where it seems as though the system is cracking. His works become postcards that portray the suburban chaos in a kind of an antithesis of aesthetic perfection.
EDUCATION
2001
BFA with a major in sculpture, Universidad de Guadalajara, Mexico
2000
II Encuentro internacional de Profesores y Estudiantes de Artes Plásticas, Havana, Cuba
CURRENT AND UPCOMING
Group exhibition
Der Arf Nira En Egar U.O.C., Rinomina & NERI | Barranco, Mexico City
October 10, 2019
SOLO EXHIBITIONS
2017
Solo Project for PARC’ Peru with Páramo, Lima Peru
Viaje inmaterial, Páramo, Guadalajara, Mexico
2016
Un surco en la nada, Cuadro22, Switzerland
La huida del tiempo, Obra Gris, Guadalajara, Mexico
2014
La conspiración de las bestias, Diéresis, Guadalajara, Mexico
2011
El trabajo te hará libre, Museo de Arte Zapopan, Zapopan, Mexico
2009
El triunfo de la voluntad, Charro Negro, Zapopan, Mexico
Gloria Desierta, en Casa Del Lago, Mexico City
2007
White Dumbo Flying Over Infonavit, Museo de las Artes, Guadalajara, Mexico
2005
Súper Punk, Arena México, Guadalajara, Mexico
2003
Bombiux-Tix-Tix, Museo Raúl Anguiano, Guadalajara, Mexico
GROUP EXHIBITIONS
2019
Der Arf Nira En Egar U.O.C., Rinomina & NERI | Barranco, Mexico City
Sumatorio, Museo Carrillo Gil, Mexico City
Páramo | GNP ArteCareyes Film & Art Festival, Careyes, Mexico
2018
Courage! Near Infra Red, curated by Abraham Cruzvillegas at Rinomina Gallery, Paris, France
Cycles of Collapsing Progress, Contemporary Art Exhibition Mexico x Lebanon, curated by Karina El Helou in partnership with Anissa Touati, Tripoli, Lebanon
2017
El día es azul el silencio es verde la vida es amarilla, curated by Paola Santoscoy,
Museo Experimental El Eco, Mexico City
127, Páramo | 127, New York, USA
Monumentos, anti-Monumentos y nueva escultura pública, Museo Universitario del CHOPO, Mexico City
A Poet*hical Wager, MOCA, Cleveland, USA
Vuelos y cantos dentro de un edificio que llora, Guadalajara 90210, Edificio Fermín Riestra, Guadalajara, Mexico
Monumentos, anti-Monumentos y Nueva Escultura Pública, Museo de Arte Zapopan, Zapopan, Mexico
2016
Destroy your humanity, Gabinete Homo-Extraterrestre, The Mistake Room, Los Angeles, USA
La huida del tiempo, Obra Gris, Guadalajara, Mexico
Reconstrucción, a project by Abraham Cruzvillegas, Museo de Arte de Zapopan, Guadalajara, Mexico
2015
La llamada del Dios Extraño # 2, Museo de la Pintores Oaxaqueños, Oaxaca, Mexico
Under Construction, Páramo Gallery, Guadalajara, Mexico
Mi mano izquierda, Casa Taller José Clemente Orozco, PAOS, Guadalajara, Mexico
2014
Leviatán, Museo Raúl Anguiano, Guadalajara, Mexico
2013
Sin necesidad de profecías, Diéresis Gallery, Guadalajara Mexico
2011
Everything Must Go, Casey Kaplan, New York, USA
2010
“Traveling Show” & “El Gabinete Blanco”, Colección Jumex, Mexico City
2008
El norte del sur, Baró Cruz, Sao Paulo, Brazil
The Best Art Work in the World (or The Portrait of the Artist), Charro Negro, Guadalajara, Mexico
Standing On One Foot, TPS (Triangle Project Space), San Antonio, TX, USA
2007
YAQ, La Planta Arte Contemporáneo Omnilife, Guadalajara, Mexico
One Foot High and Rising, The Balmoral, Los Angeles, CA, USA
Babylon, VIII Festival de Arte Contemporáneo de Barcelona, Centro de Cultura de Barcelona, Barcelona, Spain
2006
Distort, Museo de Arte Carrillo Gil, Mexico City
… un minuto por favor, Casa Taller José Clemente Orozco, Guadalajara, Mexico
2005
Declaraciones, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
2004
Sólo los Personajes Cambian, MARCO, Monterrey, Mexico
La Relatividad del Tiempo y los distintos sistemas de referencia, curated by Patrick Charpenel, OPA, Guadalajara, Mexico
PERFORMANCES
2019
Cantos Baldíos, Isla de Mezcala, Jalisco, Mexico
Timonero inmerso en la oscuridad, The Mistake Room 5th anniversary, Los Angeles, USA
Mira, yo he puesto delante de ti una puerta abierta que nadie puede cerrar, in collaboration with Bruno Gruppalli, Tequila, Jalisco, Mexico
2018
Ritos estructurales, 14th edition Performance Art and Visual Art Festival VERBO, curated by Rodrigo Campuzano and Samantha Moreira São Paulo, Brazil
El culo del diablo and Un surco en la nada, U-TURN PROJECT ROOM, arteBA, Buenos Aires, Argentina
Ritos estructurales, Isla de Mezcala, Jalisco, Mexico
2017
Un surco en la nada, Páramo, Tetetlán, Mexico City
Serie materia habitable, 90210, Edificio Fermín Riestra, Guadalajara, Mexico
Cantos Baldíos, A Poet*hical Wager group exhibition at MOCA, Cleveland, USA
2016
Un surco en la nada, Cuadro22, Switzerland
Ritos Estructurales, Reconstrucción, a project by Abraham Cruzvillegas, Museo de Arte de Zapopan, Mexico
La huida del tiempo, Obra Gris, Guadalajara, Mexico
Gloria Suspendida, Gallery Weekend Mexico City, Páramo, Mexico City
2014
Monumento a la Inmaterialidad for Leviatán, Museo Raúl Anguiano, Guadalajara, Mexico
Sinfonía Triste for La conspiración de las bestias, Diéresis, Guadalajara, Mexico
2013
Miércoles de ceniza for Sin necesidad de profecías, Diéresis, Guadalajara, Mexico
CURATORIAL PROJECTS
2007
Trinchera (Homage to José Clemente Orozco), Museo Raúl Anguiano, Guadalajara, Mexico
LECTURES
2013
Promotion and dissemination, experiences in the professional field, DAAD, Universidad de Guanajuato, Mexico
2008
Multidisciplinary approaches and experiences from arts graduates, División de Artes y Humanidades, Universidad de Guadalajara, Mexico
2006
Taller de Equilibrio Precario, Ex Convento del Carmen, Guadalajara, Mexico
OTHER PROJECTS
2014
Gabinete Homo-Extraterrestre Collective, Member
2012
Co-founder, Cerro Quemado (Asociación Autónoma de Artistas y Agentes Culturales de Occidente)
2008
APT member (Artist Pension Trust)
2005
Co-founder, Clemente Jacqs
GRANTS
2015-2017
Sistema Nacional de Creadores de Arte (national system of art creators), The National Fund for Culture and Arts, Mexico
2013-2014
Programa de Estímulo a la Creación y Desarrollo Artístico (stimulus program for art creation and development), State Council for Culture and Arts, Mexico
2005-2006
Programa de Estímulo a la Creación y Desarrollo Artístico (stimulus program for art creation and development), The National Fund for Culture and Arts, Mexico
2002-2003
Programa de Estímulo a la Creación y Desarrollo Artístico (stimulus program for art creation and development), The National Fund for Culture and Arts, Mexico
AWARDS
2017
ILLY award for Solo Project at PARC’ Peru
ART RES#IDENCIES
2017-2018
Artist Residency at Páramo, Tetetlán, Mexico City
2017
Artist residency at Casa WABI January – February, Tokyo, Japan
COLLECTIONS
Diéresis Collection, Mexico
Carrillo Gil Collection, Mexico
Museo Tamayo Collection, Mexico
Isabel y Agustín Coppel Collection, Mexico
Charpenel Collection, Mexico
GAIA Collection, Mexico
BIBLIOGRAPHY
2019
El Museo de Arte Carrillo Gil abre espacio a Sumatorio, INBAL press, newsletter No. 340, March 11, 2019
2017
Reconstrucción: Un proyecto de Abraham Cruzvillegas. Exhibition catalogue, Museo de Arte de Zapopan: Zapopan, Jalisco, Mexico, 2017.
Rondan, Dioselinda. Premio illycafe anuncia la entrega de 5 mil dólares. Agencia Orbita, April 2017.
Cuestionario Código: Emanuel Tovar. Revista Código: Mexico City, Mexico, October 2017.
2013
Sin necesidad de profecías. Exhibition catalogue, Diéresis: Guadalajara, Jalisco, Mexico, July – August 2013. Pp. 26-32, 60-61, 71-73, 87-90.
2011
Lara, Baudelio. En portada: Emanuel Tovar Andrade. Revista de Educación y Desarrollo, Issue 18, Universidad de Guadalajara: Universidad de Guadalajara, Guadalajara, Mexico, July – September, 2011. Cover page and Pp. 98.
2010
“Traveling Show” & “El Gabinete Blanco”. Exhibition catalogue, Colección Jumex: Ecatepec, Mexico, 2010. Pp. 152-155, 162-163.
2009
Gloria Desierta. Exhibition catalogue, Casa Del Lago: Mexico City, Mexico, 2009. Pp. 64-67.
Firulais (Fragmentos de la historia reciente de Guadalajara). Exhibition catalogue, Editorial Pandora S.A de C. V.: Guadalajara, Jalisco, Mexico, March 2009. Pp. 34, 57, 49.
Homenaje a Orozco. Instituto Cultural Cabañas: Guadalajara, Jalisco, Mexico, March 2009. Pp. 119.
2008
ASIMÉTRICA afinidades y discrepancias. Exhibition catalogue, Instituto Cultural Cabañas: Guadalajara, Jalisco, Mexico, April 2008. Pp. 168,175.
2004
Sólo los personajes cambian. Exhibition catalogue, MARCO: Monterrey, Nuevo León, Mexico, 2004. Pp. 40, 44, 60-61.